DETAILS
The Spike Wilner Contrafactus Trio with special guest Anat Cohen
Sat, Jul 06
|Masonic Temple
Masonic Temple in Sag Harbor. Co-presented with The SmallsLIVE Foundation
Time & Location
Jul 06, 2024, 7:00 PM – 8:30 PM
Masonic Temple, 200 Main St, Sag Harbor, NY 11963, USA
About the event
Pianist Spike Wilner, bassist Paul Gill and drummer Anthony Pinciotti have crafted an exquisite jazz listening experience in their release Contrafactus. Recorded in a single session, with only one take at GB's Juke Joint, the spontaneity and cohesion of the trio are manifest throughout the eleven compositions which seamlessly blend Wilner's original compositions with some better-known standards. The album opens with a Wilner original, "At First Blush," which is a lively and infectious swinger. Wilner dashes up and down the keyboard, showing he can dazzle. Gill and Pinciotti are a rakish rhythmic duo filled with unflagging energy. Another Wilner original, the title track, "Contrafactus," is charged with bristling energy. Wilner's piano work is captivating, with an unwavering sense of rhythm. All the while, Gill and Pinciotti anchor his efforts with a sturdy foundation and impeccable timekeeping. From the start of this release, the trio's chemistry is apparent as they navigate through intricate melodies and spirited improvisations with impressive ease. For example, the old jazz standard "Poor Butterfly," written by John Golden and Raymond Hubbell, is delivered sensitively, with Wilner offering waves of imaginative single-note playing. At the same time, the rhythmic duo shows expressive flexibility throughout. Wilner continues to showcase his versatility as a composer and pianist with his composition "Koan"; his pianism is filled with urgent enthusiasm, and he engages in a series of exchanges with Pinciotti in a knockabout manner. Not to be outdone, Gill fashions an arco solo with a burly tone. Another excellent moment of the release is the interpretation of "Lullaby Of The Leaves"; Wilner's empathetic touch and expressive phrasing provide an evocative harmonic coloration to the composition. The closing track is another Wilner composition, appropriately called "Happy Ending." The number dances along helter-skelter as Wilner covers the keyboard with sparkling intensity. Pinciotti provides muscular and decisive support. More than just a collection of songs, this album is a singular achievement highlighting the trio's artistry.